Never judge a book by its cover. In a world that is oversaturated with superhero films, it’s easy to write off a movie titled Ant-Man. It’s obscure, unintimidating, and seemingly unintriguing. But there’s a reason why the Marvel Cinematic Universe reigns supreme. It’s because the studio knows how to shake convention, and more than any other producer of comic book films, they know how to entertain.
Based on one of the original comic book Avengers, Ant-Man follows former ex-con, Scott Lang (Paul Rudd), as he is recruited by scientist and former superhero, Hank Pym (Michael Douglas). Along with Pym’s daughter, Hope (Evangeline Lilly), they plot a mission to break into Pym’s former Tech headquarters and prevent Pym’s former protégé and current company CEO, Darren Cross (Corey Stoll), from replicating dangerous shrinking technology and selling it to the military. To pull off the mission, they’ll need the use of Pym’s super suit that allows its wearer to shrink down to the size of, and communicate with, ants.
Such an obscure premise needs precise execution to not come off hokey and to be refreshing. After all, we’ve seen superhero origin stories done to death. But Marvel manages to pull Ant-Man off by creating not so much a superhero film, but moreso a science fiction heist film. From the start, when we are introduced to Scott Lang’s comedic crew of thieves (Michael Peña, Tip “T.I.” Harris, and David Dastmalchian), the movie doesn’t really feel like the normal superhero flick.
Instead of big CGI-filled fight scenes and over-the-top set explosions, we actually get great character building. And the cast is spot on, from the headliners to the supporting roles. Paul Rudd is endearing and charismatic as a divorced father willing to do anything to reconnect with his young daughter. The father-daughter redemption theme is represented even stronger in captivating performances by Douglas and Lilly. The one weak link is Corey Stoll as the villain, Yellow Jacket. Stoll doesn’t do a poor job, but he can do little to escape the scripted cliché of a cackling megalomaniac villain that has unfortunately become a staple in nearly every MCU movie.
Even though humor and character drive the film, it’s still a Marvel movie, and with that come some impressive visuals. It almost feels reminiscent of Honey, I Shrunk the Kids. And just because there aren’t as many super powered fight scenes as there may be in Avengers movies, doesn’t mean the movie is void of action. The stunning shrinking sequences, which are all absolutely made for 3D viewing, are each breathtaking even before punches are thrown, but rest assure the scarce fight scenes always deliver.
Like with most movies in the MCU, Ant-Man connects well to the other films thanks to a few well placed references and some unexpected cameos (and of course, post-credits scenes). But unlike other Marvel films (*cough* Thor: The Dark World) the film would easily be enjoyable without the connection to the vast superhero world that the studio has created. You may be disappointed if you’re looking for the usual punch throwing, damsel in distress, superhero flick that we’re all accustomed to. But if you’re looking for a witty, visually stunning, adventure with just enough heart to keep you emotionally invested, then you’ll be pleasantly surprised by just how entertaining Ant-Man is.
FINAL GRADE: A-
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