Dreary, uninspired, and virtually tone deaf to the decades of phenomenal source material that came before it… the more you think about it, the more Batman v Superman feels like a train wreck. But Patty Jenkins’ Wonder Woman showed that DC and Warner Bros. has some footing. Now comes Justice League, the original super team of marquee heroes hoping to keep the DC Extended Universe from completely derailing.
Following the events of 2016’s Dawn of Justice, Justice League begins with Batman (Ben Affleck), his trusted butler Alfred (Jeremy Irons), and Wonder Woman (Gal Gadot) struggling to pick up the pieces following the death of Superman (Henry Cavill). When an alien god (Ciaran Hinds) who was once thwarted by Amazons and warriors from Atlantis returns to conquer Earth, Batman and Wonder Woman must recruit more metahumans to oppose him. Joining them are nerdy speedster Barry Allen aka The Flash (Ezra Miller), macho half-man, half Atlantian Arthur Curry aka the Aquaman (Jason Momoa) and Victor Stone (Ray Fisher) a former football star who is fused with alien technology by his father (Joe Morton) after a near fatal accident. But to prevent the apocalypse, they’ll need to quickly gel as a team and find a way to resurrect the Man of Steel himself.
Justice League is by no means a polished movie. After an untimely and unfortunate exit from Director Zack Snyder, Avengers helmsmen Joss Whedon was brought in to finish the job. It is pretty noticeable in a few cringeworthy scenes where the reshoots and edits are glaringly obvious and out of place amidst the finished product. Not helping matters is the generic plot and somewhat rushed together opening act that attempts to pull together several characters never fully introduced on screen before.
But since when does having a flimsy plot make a superhero movie not entertaining? Audiences collectively gushed over Avengers even though it was about a random alien invasion bringing together a rag tag group just the same. And several of the touted Marvel films involve finding a magical mcguffin to thwart a megalomaniac. So the overarching narrative shouldn’t distract from the excitement when the tone is balanced, the action is intense, and the chemistry between characters works.
Justice League succeeds in the most important aspects of the genre. The chemistry between the heroes works wonderfully without compromising the more serious tone of the established universe. Affleck is brooding, but slyly exuberant and more balanced as Batman this time around. Fisher brings toughness and soul as Cyborg. Miller and Momoa are both boyishly comical in their roles and Gal Gadot is just as sophisticated and elegant as she’s been in every role as the Amazon warrior. Even Henry Cavill’s Superman, who swoops in as the team’s resident cheat code in the climax (it’s not that big of a spoiler. Trust me), manages to feel like a welcomed fit amongst the group. His charming boy scout routine works well in its small dose and manages to elevate another dull showing by Amy Adams as Lois Lane.
The action, though heavy on the CGI, is well paced and exhilarating with each team member getting a moment to flex their muscle. Several sequences, including one involving Connie Nielsen and the Amazons from Wonder Woman, are downright show stoppers. More importantly, characters finally feel true to their comic cores, so DC fan boys who have been waiting for the big screen films to be as engaging as the studio’s animated properties will have enough to feel satisfied. So while Justice League doesn’t break any new narrative ground and may only be wholly memorable to comic purists, it succeeds in rectifying the wrongs of Batman v Superman and showing that the DCEU does know how to put something fun together without completely losing its knack for spectacle and an emotional foundation.
FINAL GRADE: B
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